The client's main product is a bicycle full of craftsmanship, and the theme of the press conference is "Le∞". The client hopes that everyone can be happy in sports.

委託方主打的產(chǎn)品是一款充滿工匠精神的單車，而發(fā)佈會(huì)主題叫做「樂∞」，委託方希望大家能在運(yùn)動(dòng)中獲得快樂。

At first, I wanted to make a huge and abstract "∞" shape device directly with industrial parts. At the same time, I also wanted to think of the wings of the sports brand Nike's ancient Greek goddess of victory with the same name. I hope that the two can be connected, but at the same time, this wing or "∞" should not feel tough because of the use of industrial parts.

一開始我想直接用工業(yè)零件做一個(gè)龐大且抽象的「∞」形狀的裝置，同時(shí)我也想到運(yùn)動(dòng)品牌 Nike 同名的古希臘勝利女神的翅膀，我希望兩者可以連接，但同時(shí)這個(gè)翅膀或者「∞」不要因?yàn)橛昧斯I(yè)零件而給人感覺很硬朗。

For this reason, I taught myself to shape this shape in Grasshopper and Sverchok parameterization, which are quite difficult in architecture and industrial design, giving people the feeling that it is a biological skeleton. In addition, there are a lot of mirror reflections on the material, which can present a more strange visual effect with the on-site lighting art.

為此我自學(xué)在建築和工業(yè)設(shè)計(jì)中難度頗大的 Grasshopper 和 Sverchok 參數(shù)化生成的方式塑造這個(gè)形狀，給人感覺它是一個(gè)生物的骨架，再加上材質(zhì)上有大量鏡面反射，配合現(xiàn)場燈光藝術(shù)能呈現(xiàn)更加光怪陸離的視覺效果。